PANZERFAUST Toronto, Ontario
Panzerfaust is the boot stamping on a human face forever.
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supported by 73 fans who also own “God's Gonna Cut You Down (Johnny Cash cover)”
This album is just 100/100, like so many albums from mgla. How can a band hit the spot so many times? They are incredible. Thank you for accompanying me almost daily these days :)
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supported by 70 fans who also own “God's Gonna Cut You Down (Johnny Cash cover)”
The "Cult..." is UADA's sophomore album, and among all, the one I largely prefer. The Vocal performance, to start with, is truly outstanding, and while I really liked their debut album, this one is more varied, and overall is technically superior to anything else I've heard from UADA. Fast, aggressive, but with enchanting melodies to break in between, à la Dissection. Highly recommended!
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supported by 67 fans who also own “God's Gonna Cut You Down (Johnny Cash cover)”
Gaerea's first release of "Unsettling Whispers" was in 2018, and since, they dared define a "black metal" niche of their own, they dared to walk a new path and stir shit up a bit in the realm of BM, this album is a masterpiece and a milestone proving that it can be done, provided the band can pull it off, and they did, oh they did! Gloomy, dark, post-BM sludgy whatever, it's Gaerea, and this one belongs in my BC collection, the end.
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Crushing atmospheric black metal on the Vendetta label, Wilt’s “Ruin” delivers melancholy riffing with blunt force.
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Oracular Hexations
by Diabolic Oath
featured on Bandcamp Radio Apr 12, 2024
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Nel Nome Del Codice
by KEYGEN CHURCH
The eerie grandeur of horror film pipe organ music gets an industrial lift on the latest killer from Keygen Church.
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supported by 67 fans who also own “God's Gonna Cut You Down (Johnny Cash cover)”
Very late to the party, but for several years I've found melodic black metal all too similar and all albums sounding like Dissection, etc... HOWEVER, not only I am back into it but UADA is still a layer of complexity above the main baseline and this is an old album worth having, that's a basic milestone in UADA's discography and I felt it needed to be part of my BC collection.
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